| Pursuit of Happyness | |
|---|---|
Theatrical release poster |
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| Directed by | Gabriele Muccino |
| Produced by |
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| Written by | Steven Conrad |
| Narrated by | Will Smith |
| Starring | |
| Music by | Andrea Guerra |
| Cinematography | Phedon Papamichael |
| Editing by | Hughes Winborne |
| Studio | |
| Distributed by | Columbia Pictures |
| Release date(s) | December 15, 2006 |
| Running time | 117 minutes |
| Country | United States |
| Language | English |
| Budget | $55 million |
| Box office | $307,077,300 |
Pursuit of Happyness is a 2006 American biographical drama film based on Chris Gardner's nearly one-year struggle with homelessness. Directed by Gabriele Muccino, the film features Will Smith as Gardner, an on-and-off-homeless salesman-turned stockbroker. Smith's real-life son Jaden Smith co-stars, making his film debut as Gardner's son Christopher Jr.
The screenplay by Steven Conrad is based on the best-selling memoir written by Gardner with Quincy Troupe. The film was released on December 15, 2006, by Columbia Pictures. For his performance, Will Smith was nominated for an Academy Award and a Golden Globe for Best Actor.
Contents |
In 1981, in San Francisco, Chris Gardner (Will Smith) invests his family's savings in portable bone-density scanners which he tries to demonstrate and sell to doctors. The investment proves to be a white elephant, which financially breaks the family and as a result, his wife Linda (Thandie Newton) leaves him and moves to New York. Their son Christopher (Jaden Smith) remains with his father. While downtown trying to sell one of his scanners, Chris meets a manager for Dean Witter and impresses him by solving a Rubik's Cube during a short cab ride. Chris does not have enough money for the cab fare and flees the cab driver into a subway station where he barely escapes the cab driver but loses one of his bone scanners in the process. This new relationship with the Dean Witter manager earns him the chance to become an intern stockbroker.
Despite arriving there unkempt and shabbily dressed due to an emergency, Chris is offered the internship. Chris is further set back when his bank account is garnished by the IRS for unpaid taxes, and he and his young son are evicted. As a result they are homeless, and are forced at one point to stay in a bathroom at a subway station. Motivation drives him to find the Glide Memorial United Methodist Church, which has a homeless shelter primarily for single mothers and their children. Due to demand for the limited rooms, Chris must frantically race from his internship work early each afternoon in order to land a place in line. Chris finds the bone scanner that he lost in the subway station from a demented man who believes it to be a time machine and it is now damaged, but Chris finally repairs it.
Disadvantaged by his limited work hours, and knowing that maximizing his client contacts and profits is the only way to earn the one paid position that he and his 19 competitors are fighting for, Chris develops a number of ways to make phone sales calls more efficiently. He also reaches out to potential high value customers, defying protocol. One sympathetic prospect takes him and his son to a San Francisco 49ers game. Regardless of his challenges, Chris never reveals his lowly circumstances to his co-workers, even going so far as to lend one of his bosses five dollars for a cab, a sum he can't afford.
Concluding his internship, Chris is called into a meeting with his managers. His work has paid off and he is offered the position. Fighting back tears, he rushes to his son's daycare, hugging him. They walk down the street, joking with each other and are passed by a man in a business suit (the real Chris Gardner in a cameo). The epilogue reveals that Chris went on to form his own multi-million dollar brokerage firm.
Chris Gardner realized his story had Hollywood potential after an overwhelming national response to an interview he did with 20/20 in January 2002.[1] He published his autobiography on May 23, 2006, and later became an associate producer for the film. The unusual spelling of the film's title comes from a sign Gardner saw when he was homeless. In the film, "happiness" is misspelled (as "happyness") outside the daycare facility Gardner's son attends.
The movie took some liberties with Gardner's true life story. Certain details and events that actually took place over the span of several years were compressed into a relatively short time and although eight-year-old Jaden portrayed Chris Jr. as a five year-old, Gardner's son was just a toddler at the time.
Chris Gardner reportedly thought Smith, an actor best known for his performances in action movies, was miscast to play him. However, he said his daughter Jacintha "set him straight" by saying, "If Smith can play Muhammad Ali, he can play you!"[2]
Gardner makes a cameo appearance in the film, walking past Will and Jaden in the final scene. Gardner and Will acknowledge each other; Will then looks back at Gardner walking away as his son proceeds to tell him knock knock jokes.
| The Pursuit of Happyness: Original Motion Picture Soundtrack | |
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| Film score by Andrea Guerra | |
| Released | January 9, 2007 |
| Label | Varèse Sarabande |
Varèse Sarabande released the soundtrack on January 9, 2007, which included sixteen tracks.
| The Pursuit of Happyness: Original Motion Picture Soundtrack | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Title | Length | |||||||
| 1. | "Opening" | 3:09 | |||||||
| 2. | "Being Stupid" | 1:39 | |||||||
| 3. | "Running" | 1:30 | |||||||
| 4. | "Trouble At Home" | 1:30 | |||||||
| 5. | "Rubiks Cube Taxi" | 1:53 | |||||||
| 6. | "Park Chase" | 2:29 | |||||||
| 7. | "Linda Leaves" | 4:02 | |||||||
| 8. | "Night At Police Station" | 1:36 | |||||||
| 9. | "Possibly" | 1:45 | |||||||
| 10. | "Where's My Shoe" | 4:20 | |||||||
| 11. | "To The Game/Touchdown" | 1:37 | |||||||
| 12. | "Locked Out" | 2:20 | |||||||
| 13. | "Dinosaurs" | 2:40 | |||||||
| 14. | "Homeless" | 1:55 | |||||||
| 15. | "Happyness" | 3:50 | |||||||
| 16. | "Welcome Chris" | 3:45 | |||||||
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Total length:
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40:00 | ||||||||
The film debuted first at the North American box office, earning $27 million during its opening weekend and beating out heavily promoted films such as Eragon and Charlotte's Web. It was Will Smith's sixth consecutive #1 opening and one of Smith's consecutive $100 million blockbusters.. The film grossed $162,586,036 domestically in the US and Canada, In the hope Gardner's story would inspire the down-trodden citizens of Chattanooga, Tennessee to achieve financial independence and to take greater responsibility for the welfare of their families, the mayor of Chattanooga organized a viewing of the film for the city's homeless.[3] Gardner himself felt that it was imperative to share his story for the sake of its widespread social issues. "When I talk about alcoholism in the household, domestic violence, child abuse, illiteracy, and all of those issues—those are universal issues; those are not just confined to ZIP codes," he said.[4]
The film was released on DVD on March 27, 2007 and as of November 2007, US Region 1 DVD sales accounted for an additional $89,923,088 in revenue, slightly less than half of which was earned in its first week of release.[5] About 5,570,577 units have been sold, bringing in $90,582,602 in revenue.[6]
The film received generally positive reviews by critics. Film review site Rotten Tomatoes calculated a 66% overall approval based on 166 reviews, and it scored a 66% Top Critics rating from major news outlets.[7]
In the San Francisco Chronicle, Mick LaSalle observed, "The great surprise of the picture is that it's not corny . . . The beauty of the film is its honesty. In its outlines, it's nothing like the usual success story depicted on-screen, in which, after a reasonable interval of disappointment, success arrives wrapped in a ribbon and a bow. Instead, this success story follows the pattern most common in life — it chronicles a series of soul-sickening failures and defeats, missed opportunities, sure things that didn't quite happen, all of which are accompanied by a concomitant accretion of barely perceptible victories that gradually amount to something. In other words, it all feels real."[8]
Manohla Dargis of The New York Times called the film "a fairy tale in realist drag . . . the kind of entertainment that goes down smoothly until it gets stuck in your craw . . . It's the same old bootstraps story, an American dream artfully told, skillfully sold. To that calculated end, the film making is seamless, unadorned, transparent, the better to serve Mr. Smith's warm expressiveness . . . How you respond to this man's moving story may depend on whether you find Mr. Smith's and his son's performances so overwhelmingly winning that you buy the idea that poverty is a function of bad luck and bad choices, and success the result of heroic toil and dreams."[9]
Peter Travers of Rolling Stone awarded the film three out of a possible four stars and commented, "Will Smith is on the march toward Oscar . . . [His] role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal."[10]
In Variety, Brian Lowry said the film "is more inspirational than creatively inspired—imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache . . . Smith's heartfelt performance is easy to admire. But the movie's painfully earnest tone should skew its appeal to the portion of the audience that, admittedly, has catapulted many cloying TV movies into hits . . . In the final accounting, [it] winds up being a little like the determined salesman Mr. Gardner himself: easy to root for, certainly, but not that much fun to spend time with."[11]
Kevin Crust of the Los Angeles Times stated, "Dramatically it lacks the layering of a Kramer vs. Kramer, which it superficially resembles . . . Though the subject matter is serious, the film itself is rather slight, and it relies on the actor to give it any energy. Even in a more modest register, Smith is a very appealing leading man, and he makes Gardner's plight compelling . . . The Pursuit of Happiness is an unexceptional film with exceptional performances . . . There are worse ways to spend the holidays, and, at the least, it will likely make you appreciate your own circumstances."[12]
In the St. Petersburg Times, Steve Persall graded the film B- and added, "[It] is the obligatory feel-good drama of the holiday season and takes that responsibility a bit too seriously . . . the film lays so many obstacles and solutions before its resilient hero that the volume of sentimentality and coincidence makes it feel suspect . . . Neither Conrad's script nor Muccino's redundant direction shows [what] lifted the real-life Chris above better educated and more experienced candidates, but it comes through in the earnest performances of the two Smiths. Father Will seldom comes across this mature on screen; at the finale, he achieves a measure of Oscar-worthy emotion. Little Jaden is a chip off the old block, uncommonly at ease before the cameras. Their real-life bond is an inestimable asset to the on-screen characters' relationship, although Conrad never really tests it with any conflict."[13]
National Review Online has named the film #7 in its list of 'The Best Conservative Movies'. Linda Chavez of the Center for Equal Opportunity wrote, "this film provides the perfect antidote to Wall Street and other Hollywood diatribes depicting the world of finance as filled with nothing but greed."[14]
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